Non-Linear Landscape

《非線性地景》
《非線性地景》是一件以台灣中部景觀為靈感的藝術創作。台灣中部地區的市容變化多端,時而是透天、高樓豪宅,時而為鐵皮工廠,或是被綠意盎然的果園和農地所取代。它處於一種夾雜混亂的狀態-每轉一個彎,市容又呈現出不一樣的景象。 藝術家以這概念為基礎,運用3D軟體Blender設計了一個虛擬的影像裝置,並將錄製的市容影像導入轉換成一捲捲的膠捲。這個影像裝置以非線性的方式撥放這些虛擬的膠捲,並以各種角度和方向呈現影像,從而延續了前述的敘述,創造出一種非線性的「地景影像」。 這種非線性的呈現方式探索著時間和空間的可能性。透過以不同的角度和方向播放膠捲,作品超越了現實世界的限制,創造出一個虛擬環境,呈現了都市發展的不斷變遷,象徵著現代社會的複雜性和混亂性。同時,透過影像的非線性播放,作品反映了記憶和感知的模糊性,突顯了個人觀點對於所見景象的主觀性和變動性。

"Nonlinear Landscapes" is an art creation inspired by the landscapes of central Taiwan. The urban landscape in this region exhibits a diverse range of transformations, with moments of towering residential buildings, industrial factories covered in metal sheets, and vibrant orchards and farmlands. It exists in a state of juxtaposed chaos, where every turn presents a different scene.

Built upon this concept, the artist employed the 3D software Blender to design a virtual image device. Recorded video materials were transformed into reels of film and integrated into this Blender project. The imagery is then non-linearly played through the device, showcasing the virtual film from various angles and directions, thereby extending the narrative described above and creating a non-linear "landscape imagery."

This non-linear presentation style explores the possibilities of time and space. By playing the film reels from different angles and directions, the artwork surpasses the limitations of the real world, constructing a virtual environment that symbolizes the ever-changing urban development and the complexity and disorder of modern society. Simultaneously, through the non-linear playback of the imagery, the work reflects the ambiguity of memory and perception, emphasizing the subjectivity and variability of individual perspectives on observed scenes.