Hyperlinked Poetry: A Generative Writing System is a web-based interactive artwork that explores poetry as a spatial, networked, and reconfigurable structure rather than a fixed linear text. The project is grounded in the tradition of Net Art and hypertext literature, extending early network-based artistic practices into the context of contemporary AI-assisted authorship. The work investigates how meaning emerges through fragmentation, recomposition, and navigation. A poem is not presented as a completed artifact, but as a constellation of textual nodes—hyperlinked, movable, and temporally unstable. Users initiate the work by entering a short textual prompt. An AI language model then generates a poem based on thematic analysis. This generated text becomes raw material rather than a final output. Through direct interaction—dragging, rearranging, and re-linking textual blocks—the viewer actively reconstructs the poem. The interface functions as a poetic space, where writing becomes an embodied action and reading becomes spatial navigation. Visual backgrounds respond dynamically to textual rearrangements, creating a feedback loop between language, interface, and perception. The project situates itself within theoretical discourses on hypertext (Ted Nelson), Net Art, and post linear literature, while also engaging contemporary debates on AI and authorship. Rather than asking whether AI can write poetry, Hyperlinked Poetry: A Generative Writing Systemexamines how human agency persists through selection, reorganization, and interpretive control. Authorship is understood as a hybrid condition—distributed between algorithmic generation and human decision-making. The artwork has no final or definitive state. Each interaction produces a temporary configuration, emphasizing process over completion and positioning poetry as an open system within a networked environment.
《超連結詩學:一個生成式書寫系統》是一件網路互動藝術作品,探索詩歌作為一種空間性、網絡化、可重構的結構,而非固定的線性文本。本計畫植根於網路藝術與超文本文學的傳統,將早期以網絡為基礎的藝術實踐延伸至當代AI輔助創作的語境之中。作品探問意義如何透過碎片化、重組與導航而浮現。詩不再以完成的藝術品形式呈現,而是成為一個由文本節點構成的星叢——相互超連結、可移動、時間上不穩定。觀者以簡短的文字提示啟動作品,AI語言模型隨即基於主題分析生成一首詩。這段生成的文本成為原始素材,而非最終產出。透過直接的互動——拖曳、重新排列、再連結文本區塊——觀者主動重構詩篇。介面作為一個詩意空間運作,書寫成為具身行動,閱讀成為空間導航。視覺背景動態回應文本的重組,在語言、介面與感知之間創造一個回饋迴路。本計畫立基於超文本(泰德·尼爾森)、網路藝術與後線性文學的理論論述,同時介入當代關於AI與作者身份的辯論。《超連結詩學》不問AI能否寫詩,而是審視人類能動性如何透過選擇、重組與詮釋控制而持續存在。作者身份被理解為一種混成狀態——分布於演算法生成與人類決策之間。作品沒有終極或確定的狀態。每一次互動都產生暫時性的配置,強調過程勝於完成,將詩學定位為網絡環境中的開放系統。
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